vendredi 18 mai 2007

Le minimalisme dans l'art et dans la musique (8)

I. Introduction et I. 1. Terme
I. 2. Relations personnelles
I. 3. Histoire
II. 1. Simplicité et répétition
II. 2. Planéité
II. 3. Infinité
II. 4. Public


ALLIATA, Vicky, éd., Einstein on the Beach, The Byrd Hoffman Foundation, sans date ni lieu.

BATTCOCK, Gregory, éd., Minimal Art. A Critical Anthology, Berkeley, Los Angeles & Londres, University of California Press, 1995.

BERNARD, Jonathan, W., "The Minimalist Aesthetic in the Plastic Arts and in Music", Perspectives of New Music 31, 1993, pp. 86-132.

BOSSEUR, Jean-Yves & BOSSEUR, Dominique, Révolutions musicales : la musique contemporaine depuis 1945, Minerve, 1993.

GAGNE, Cole & CARAS, Tracy, Soundpieces : Interviews with American Composers, Metuchen, New Jersey, The Scarecrow Press, 1982.

GLASS, Philip, Music by Philip Glass, édité et complété par Robert T. Jones, New York, Da Capo Press, 1995.

GRIFFITHS, Paul, Modern Music and After : Directions since 1945, New York, Oxford University Press, 1995.

MERTENS, Wim, American Minimal Music, Londres, Kahn & Averill, 1983.

MOLLET-VIÉVILLE, Ghislain, Art minimal & conceptuel, Genève, Albera Skira, 1995.

NYMAN, Michael, Experimental Music. Cage and Beyond, New York, Schirmer Books, 1974.

PHILIPS, Lisa, The American Century. Art & Culture 1950-2000, New York, Whiteney Museum of American Art, 1999.

ROCKWELL, John, All American Music. Composition in the Late Twentieth Century, New York, Alfred A. Knopf, 1985.

SCHWARZ, Elliott & GODFREY, Daniel, Music since 1945. Issues, Materials, and Literature, New York, Schirmer Books, 1993.

SCHWARZ, J. Robert, Minimalists, Londres, Phaidon Press, 1996.

STRICKLAND, Edward, Minimalism : Origins, Bloomington & Indiana Polis, Indiana University Press, 1993.

ROBERT WILSON : MR BOJANGLES’ MEMORY og son of fire [sic], Éditions du Centre Georges Pompidou, Paris, 1991. [Ouvrage publié à l’occasion de l’exposition de R. Wilson au Centre Georges Pompidou du 6 novembre 1991 au 27 janvier 1992]

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